sgimenez
10-25-2009, 03:54 PM
Jean-Luc Godard's “Alphaville” (1965) brings to audiences the popular theory of a dictatorship effectively running a civilization, portrayed in a mix of science fiction meets a film noir of sorts. Alphaville represents all that is dystopian in a sense where a computer dictator Alpha 60 is the driving force behind this place. However, this film sheds some light on how completely ineffective this method of total control and tyranny actually is and that Lemmy Caution/Ivan Johnson successfully destroys that machine of persistence through a poem and insightful oratory, all the while struggling to use his identity as a means of communication.
Altogether, this film argues that a mindless robotic civilization is nowhere successful as one with cultured characteristics. Lemmy's experiences from the “Outlands” makes him an outsider, being introduced to the dictionary as 'the bible', ironically noting how Alphaville makes use of its influences. Natacha Von Braun is the poor, robotic femme fatale that Lemmy/Ivan must save in order to rescue her from herself. This change is notable at the end when he pushes her to think for herself and does so in a peculiar way, citing “je vous-aime” as her first official thought for herself.
Alphaville is based on the interpretation of all life's things through a logical standpoint. We are reminded of this theory through the flashing physics equations during the film. All emotion is thrown out the window, and therefore the public must base all reason logically, sans feeling, emotion, and happiness. Professor Von Braun didn't create Alpha 60 so that people are happy, but rather to create a world where perfection results from science and reason, rather than the foundation of individual pursuit. It is for this reason all citizens of Alphaville behave like robots instead of normal human beings.
Jean-Luc Godard's “Alphaville” demonstrates that individual achievement and experience don't count sometimes when the world you live in is incapable of thinking for themselves. Lemmy makes note of this, and is in part reason why he himself cannot hold to one identity.
Altogether, this film argues that a mindless robotic civilization is nowhere successful as one with cultured characteristics. Lemmy's experiences from the “Outlands” makes him an outsider, being introduced to the dictionary as 'the bible', ironically noting how Alphaville makes use of its influences. Natacha Von Braun is the poor, robotic femme fatale that Lemmy/Ivan must save in order to rescue her from herself. This change is notable at the end when he pushes her to think for herself and does so in a peculiar way, citing “je vous-aime” as her first official thought for herself.
Alphaville is based on the interpretation of all life's things through a logical standpoint. We are reminded of this theory through the flashing physics equations during the film. All emotion is thrown out the window, and therefore the public must base all reason logically, sans feeling, emotion, and happiness. Professor Von Braun didn't create Alpha 60 so that people are happy, but rather to create a world where perfection results from science and reason, rather than the foundation of individual pursuit. It is for this reason all citizens of Alphaville behave like robots instead of normal human beings.
Jean-Luc Godard's “Alphaville” demonstrates that individual achievement and experience don't count sometimes when the world you live in is incapable of thinking for themselves. Lemmy makes note of this, and is in part reason why he himself cannot hold to one identity.