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  1. Dark City (Alex Proyas, 1998) Beating Around the Bush
  2. Breakfast at Tiffany's (Blake Edwards 1961): Nameless Animals in the City
  3. Dark City (Alex Proyas, 1998) - Individuality
  4. Blue Velvet (David Lynch, 1986) - Impossibility of Perfection
  5. The Piano (Jane Campion, 1993)- Love
  6. Dark City (Alex Proyas, 1998)- What does it all mean?
  7. Bonnie and Clyde (Arthur Penn, 1967) The sexual tension between Bonnie & Clyde
  8. Blue Velvet (David Lynch 1986): Absurdity and Moral Ambiguity
  9. Dark City (Alex Proyas, 1998) Individualism
  10. Taxi Driver (Martin Scorsese, 1976) Travis's Contridictions
  11. The Philadelphia Story (George Cukor, 1940) Being Human
  12. Up in the Air (Jason Reitman, 2009) - "Isolated? I'm surrounded!"
  13. Metropolis (Fritz Lang, 1927)- My Own Perspective
  14. Taxi Driver (Martin Scorsese, 1976) Travis's place in society
  15. Dark City (Alex Proyas, 1998) Liquid Life
  16. The Philadelphia Story (George Cukor, 1940) - Social Classes
  17. Rango (Gore Verbinksi, 2011) That Was A Kids Movie?
  18. The Piano (Jane Campion, 1993) - The Use of Hands in The Piano
  19. Blue Velvet (David Lynch-1986)-The Importance of Contrast
  20. The Seventh Seal (Ingmar Bergman, 1957) - Antonius seeks answers
  21. Pan's Labyrinth (Guillermo del Toro, 2006) - Family ties and labrynth symbolism
  22. Up in the Air (Jason Reitman, 2009)- The Routine Lifestyle
  23. Metropolis (Fritz Lang, 1927) - German Anxiety
  24. The Seventh Seal (Ingmar Bergman, 1957) - Faith in history
  25. The Piano (Jane Campion, 1993) Music > Words
  26. Up In The Air (Jason Reitman, 2009) - The Loss of Communication
  27. The Pianist (Roman Polanski, 2002) - Sacrifice and Identity
  28. Bonnie and Clyde (Arthur Penn, 1967) - how absurd.
  29. Fargo (Joel and Ethan Coen, 1996): Contrasting Relationships
  30. Rango (Gore Verbinski, 2011) Journey to self discovery
  31. Blue Velvet (David Lynch, 1986) - Obsession over Assumption
  32. Paths of Glory (Stanley Kubrick, 1957) - To be a Patriot
  33. Cool Hand Luke (Stuart Rosenberg, 1967) Luke as Christ-like figure
  34. Dark City (Alex Proyas, 1998) The Object of Will
  35. Blue Velvet (David Lynch, 1986) - All-American Darkness
  36. The Pianist (Roman Polanski, 2002) - The Power of Sound
  37. Taxi Driver (Martin Scorsese, 1976) - Loneliness
  38. Metropolis (Fritz Lang, 1927) - A Message?
  39. The Philadelphia Story (George Cukor, 1940) - My Life to You
  40. Blue Velvet (David Lynch, 1986) - All-American Darkness
  41. Cold Hand Luke (Stuart Rosenberg, 1967) Escaping Commitment is being one's self
  42. Blue Velvet (David Lynch, 1986)) - All-American Darkness
  43. Pan's Labyrinth (Guillermo del Toro, 2006) Feminine Rebellion
  44. Bonnie and Clyde (Arthur Penn, 1967) - Consequence and Childishness
  45. Taxi Driver (Martin Scorsese, 1976) - pursuing righteousness
  46. Cool Hand Luke (Stuart Rosenberg, 1967) Fate & Free Will
  47. Breakfast at Tiffany's (Blake Edwards, 1961) - Illusion and Deception
  48. Bonnie and Clyde (Arthur Penn, 1967): The Pure Existential Life
  49. Fargo (Joel and Ethan Coen, 1996) - the character Jerry
  50. Cool Hand Luke (Stuart Rosenberg, 1967)--The Importance of Independence
  51. The Philadelphia Story (George Cukor, 1940) Temptation
  52. Cool Hand Luke (Stuart Rosenberg, 1967)--Luke's purpose and message
  53. The Seventh Seal (Ingmar Bergman, 1957) - Playing chess
  54. Breakfast at Tiffany's (Blake Edwards, 1961) - What Is Love?
  55. Up in the Air (Jason Reitman, 2009) - Initial Thoughts
  56. Metropolis (Fritz Lang, 1927) – The Polarization of Class
  57. Dark City (Alex Proyas, 1998)- Evolution
  58. Taxi Driver (Martin Scorsese-1976) Sense of Duty
  59. Paths of Glory (Stanley Kubrick, 1957) - What is Real Bravery?
  60. The Piano (Jane Campion, 1993) - The Implications of Our Changing Minds
  61. Rango (Gore Verbinski, 2011) Identity, cliche, and the "other side"
  62. Paths of Glory (Stanley Kubrick 1957): Idealism and Bravery
  63. Fargo (Joel and Ethan Coen 1996) Greed v. Acceptance
  64. Ghost World (Terry Zwigoff, 2001) - Seymour's Life After
  65. Metropolis (Fritz Lang 1927) - Occupy Metropolis
  66. Metropolis (Fritz Lang, 1927) - People and Machines
  67. Pan’s Labyrinth (Guillermo del Toro, 2006) – Pressures of Maturity
  68. Ghost World (Terry Zwigoff 2001) – Enid’s recognition of authenticity through the Blu
  69. Ghost World (Terry Zwigoff 2001) – Authenticity Through Art?
  70. Paths of Glory (Stanley Kubrick, 1957) - The Liminality of War.
  71. Ghost World (Terry Zwigoff, 2001) - Differences Don't Define
  72. Ghost World (Terry Zwigoff, 2001) - No Other Options
  73. Ghost World (Terry Zwigoff, 2001) - "A Smile and A Ribbon"
  74. Ghost World, (Terry Zwigoff, 2001)- Changing Times
  75. Ghost World, (Terry Zwigoff, 2001)- Backwards Society
  76. Ghost World (Terry Zwigoff, 2001)- Advice for an A**hole
  77. Ghost World (Terry Zwigoff, 2001)- Purity Versus Happiness
  78. Ghost World (Terry Zwigoff, 2001)-Technology, Helping or Hurting?
  79. Paths of Glory (Kubrick, 1957) Animal v. Man
  80. Bonnie and Clyde (Arthur Penn, 1967) - Not Bad People
  81. The Pianist (Roman Polanski, 2002) - The Power of Control
  82. Lisbon Story
  83. Paths of Glory (Stanley Kubrick, 1957)-Anti-War and Anti-Patriotism
  84. Island of Lost Souls (Erle C. Kenton, 1932) - A look into Lota's life
  85. Island of Lost Souls (Erle C. Kenton, 1932) - Lions, Tigers, and...humans?
  86. Island of Lost Souls (Erle C. Kenton, 1932) - Parker's Love Dilemma
  87. Island of Lost Souls (Erle C. Kenton, 1932) - DEVOlution
  88. Island of Lost Souls (Erle C. Kenton, 1932) - Sympathy is Science?!?!?!?!?!
  89. Island Of Lost Souls (Erie C. Kenton, 1932) - The West Is Dr. Moreau
  90. Island of Lost Souls (Erle C. Kenton, 1932) - Dehumanization
  91. Island Of Lost Souls (Erie C. Kenton, 1932) - The House of Pain and Science
  92. Island of Lost Souls (Erie C. Kenton, 1932) - Are they not men?
  93. Stroszek
  94. Island of Lost Souls (Erle C. Kenton, 1932) - Utilitarian Consideration
  95. Island of Lost Souls (Erie C. Kenton, 1932) - The Law
  96. Island Of Lost Souls (Erie C. Kenton, 1932) - Parallels to Colonialism
  97. Island Of Lost Souls (Erie C. Kenton, 1932) - Knowledge as the sign of civilisation.
  98. Moon (Duncan Jones, 2009) - Sam Bell is property.
  99. Moon (Duncan Jones, 2009) - Technology and Solitude
  100. Moon (Duncan Jones, 2009) - Beast Men vs. Sam
  101. Moon (Duncan Jones, 2009) - The Upward Downfall of Technology
  102. Moon (Duncan Jones, 2009) - A Crew of One
  103. Moon (Duncan Jones, 2009) - Sam Bell's Autonomy
  104. Moon (Duncan Jones, 2009) - Waking up on the Moon
  105. Moon (Duncan Jones, 2009) - Sam's Transformations
  106. Moon (Duncan Jones, 2009) - Communication and Sam as a Martyr
  107. Moon (Duncan Jones, 2009) - Sam's Identity
  108. Circle of Deceit
  109. Into the Wild (Sean Penn, 2007) - Consequences of Total Freedom
  110. Into the Wild (Sean Penn, 2007) - Graduation and Conformity
  111. Into the Wild (Sean Penn, 2007) - Chris' Chosen/Surrogate Family
  112. Into the Wild (Sean Penn, 2007)-Jesus "Chris" Superstar
  113. Into the Wild (Sean Penn, 2007)-Chris' Mission
  114. Into the Wild (Sean Penn, 2007) - Chris McCandless: Aesthetic Voyager
  115. Into The Wild (Sean Penn, 2007): The 'Right' Name
  116. Into The Wild (Sean Penn, 2007)- The False Being WIthin
  117. Into the Wild (Sean Penn, 2007) - Naming Things by Their Proper Names
  118. Vagabond (Agnes Varda, 1985) - Existential Subjectivity vs. Existential Objectivity
  119. Vagabond (Agnes Varda, 1985) - The dying trees
  120. Vagabond (Agnes Varda, 1985) - Mona's Indifference
  121. Vagabond (Agnes Varda, 1985) - Vagabond Feminism
  122. Vagabond (Agnes Varda, 1985) - Chris vs. Mona
  123. Vagabond (Agnes Varda, 1985) - Preventing the Spread
  124. Vagabond (Agnes Varda, 1985) - Society’s Faults
  125. Vagabond (Agnes Varda, 1985) - Is it a Feminist Movie?
  126. Vagabond (Agnes Varda, 1985) - Can Work Set You Free?
  127. Vagabond (Agnes Verda 1985): Mona Vs. Chris
  128. No Country for Old Men (Joel Coen and Ethan Coen, 2007) - Anton's Absurdity
  129. Rain Man (Barry Levinson, 1988)-Every Man's Worth
  130. Guess Who's Coming to Dinner (Stanley Kramer 1967)-America's Growth
  131. Clockers (Spike Lee, 1995) - Cycle of Injustice
  132. Memento (Christopher Nolan, 2000) - Identity Crisis
  133. Rain Man (Barry Levinson, 1988)- Objectification, Greed, and Intolerance
  134. 28 Days Later (Danny Boyle, 2002) The Missing Link
  135. One Flew Over The Cuckoo's Nest (Milos Forman, 1975)--The Death of Individuality
  136. One Flew Over the Cuckoo's Nest, 1975 Milos Forman. society or bust
  137. The Cruise (Bennett Miller, 1998) Social adequacy & Grandparents
  138. Being John Malkovich (Spike Jonze, 1999) Facades
  139. Guess Who's Coming to Dinner (Stanley Kramer 1967)- Racism in the United States
  140. Memento (Christopher Nolan, 2000) -Lenny's Memory
  141. Amélie (Jean-Pierre Jeunet, 2001) - Living in an Imaginary World
  142. 28 Days Later (Danny Boyle, 2003)- Civilization Restoration
  143. Boyz N the Hood (John Singleton, 1991) - Initial Thoughts
  144. Boyz n The Hood (John Singleton, 1991) Initial Thoughts
  145. Clockers (Spike Lee, 1995) - Death in Spike Lee's Films
  146. No Country for Old Men (Joel and Ethan Coen, 2007)- Driving and Subjectivity
  147. Guess Who's Coming to Dinner (Stanley Kramer, 1967) - Lessons Learned
  148. Persona (Ingmar Bergman, 1966)- Subjectivity
  149. Being John Malkovich (Spike Jonze, 1999) - On the Manifold Self
  150. Amelie (Jean-Pierre Jeunet, 2001) The Small Things
  151. No Country for Old Men (Joel and Ethan Coen, 2007)- Fate
  152. Memento (Christopher Nolan, 2000) - Anonymity, Ambiguity, Authority, and Identity
  153. Boyz n The Hood (John Singleton, 1991) Father Figures, "Brothers", and Violence
  154. American Psycho (Mary Harron, 2000) - Identity and Violence in yuppie culture
  155. Amelie (Jean-Pierre Jeunet, 2001) - Defining Aspects Of Life
  156. The Cruise (Bennett Miller, 1998)- The Ability to Feel
  157. Rain Man (Barry Levinson, 1988)- Values?
  158. Pulp Fiction (Quentin Tarentino, 1995)-Race is weird huh?
  159. Guess Who's Coming to Dinner (Stanley Kramer, 1967) - Changes in society
  160. Persona (Ingmar Bergman, 1966) Split Personaility
  161. 28 Days Later (Danny Boyle, 2002) Interpretation of Apocalyptic London
  162. Clockers (Spike Lee, 1995) Adolescent Identity
  163. It's A Wonderful Life (Frank Capra, 1946) - Happiness and appreciation through help
  164. Rain Man (Berry Levinson, 1988) - Intertwined lives
  165. It's a Wonderful Life (Frank Capra-1946) - Greed vs. Selflessness
  166. 28 Days Later (Danny Boyle, 2002) - Do Clothes Make Man?
  167. Rain Man (Barry Levinson, 1988) – Simplicity vs. Greed
  168. 28 Days Later (Danny Boyle, 2002) -28 Days and Hobbes
  169. The Cruise (Bennett Miller, 1998)-Post Viewing 6-occupation reification
  170. Clockers (Spike Lee, 1995) – "Portrayal of a Gangster"
  171. It's a Wonderful Life (Frank Capra, 1946) - Perspective
  172. Being John Malkovich (Spike Jonze, 1999)
  173. 28 Days Later (Danny Boyle, 2002) - Conventional Zombie Movie Differences
  174. Being John Malkovich (Spike Jonze, 1999)- Finding happiness, truth, and freedom
  175. No Country For Old Men (Joel and Ethan Coen, 2007) - Time
  176. American Psycho (Mary Harron, 2000) - You Probably Think This Song is About You
  177. Being John Malkovich (Spike Jonze, 1999)- Bent Reality
  178. Clockers (Spike Lee 1995) Crooklyn: A Street Opera
  179. Rain Man (Barry Levinson, 1998)-What's Important?
  180. 28 Days Later (Danny Boyle, 2002)--Our Faith in Humanity
  181. Dogville (Lars von Trier, 2003)
  182. Pulp Fiction (Quentin Tarentino, 1995)- The Character Of Butch
  183. Dogville (Lars von Trier, 2003) - What Would Nietzsche Do?
  184. Amelie (Jean-Pierre Jeunet, 2001)- Importance of Interaction
  185. Persona (Ingmar Bergman, 1966) Alma and Elisabet
  186. American Psycho (Marry Harron, 2000) - I Have To Return Some Video Tapes
  187. Memento (Christopher Nolan, 2000) Sense of Self
  188. Amelie (Jean-Pierre Jeunet, 2001) - The Girl and The Picture
  189. The Cruise (Bennett Miller, 1998) - Civilization: The Musical!
  190. Being John Malkovich (Spike Jonze, 1999)- Communication Breakdown
  191. Amélie (Jean-Pierre Jeunet, 2001): Live in the present and savor the details.
  192. 28 Days Later (Danny Boyle, 2002) - Nation needing Change
  193. One Flew Over The Cuckoo's Nest (Milos Forman, 1975) - Education
  194. It's a Wonderful Life (Frank Capra, 1946) - The Power of Community
  195. Dogville (Lars von Trier, 2003) - Human Behavior
  196. V for Vendetta (James McTeigue, 2006) - Control by Fear
  197. Pulp Fiction (Quentin Tarentino, 1995)- Empty Values
  198. Rain Man (Barry Levinson - 1988): Keeping People Close
  199. Edge of Heaven
  200. V for Vendetta (James McTeigue, 2006) - Monsters in Masks
  201. V for Vendetta (James Mcteigue, 2006) The Power of Ideas
  202. V for Vendetta (James Mcteigue, 2006)- Destorying Parliament
  203. V for Vendetta (James Mcteigue, 2006) Violence
  204. V for Vendetta (James Mcteigue, 2006) - Mask
  205. V for Vendetta (James McTeigue, 2006) -Fear, Death, Integrity & Freedom
  206. Pulp Fiction (Quentin Tarantino, 1994) - American Nihilism
  207. Persona - Ingmar Bergman (1966)
  208. V for Vendetta (James McTeigue, 2006) Evey's Torture Examined
  209. Memento (Christopher Nolan, 2000) Memories
  210. Clockers (Spike Lee, 1995) - Endless Conflict, Despair and Desperationin the Projects
  211. Dogville (Lars von Trier, 2003) -- The Township
  212. American Psycho (Mary Harron, 2000) - Social Superiority
  213. Dogville (Lars von Triers, 2003)
  214. Guess Who's Coming to Dinner (Stanley Kramer, 1967) - quick decisions and parenthood.
  215. No Country for Old Men (Joel and Ethan Coen, 2007) - The Absurd in General
  216. American Psycho (Mary Harron, 2000) - Identity and Agency
  217. Pulp Fiction (Quentin Tarentino, 1995) What's in the case?
  218. Guess who's coming to dinner (Stanley Kramer 1967)
  219. Encounters at the End of the World
  220. M (dir. Fritz Lang)
  221. GER 199 Testament of Dr. Mabuse
  222. GER 199 Murderers Are among Us
  223. GER 199 Blue Gardenia
  224. The 1000 Eyes of Dr. Mabuse
  225. GER 199 Happy Birthday Turke
  226. Koyaanisqatsi: (Godfrey Reggio, 1982) - From Natural to Tecno
  227. GER 199 Lost Honor of Katharina Blum (7 pm class only)
  228. Winter Sleepers
  229. GER 199 Knockin' on Heaven's Door
  230. GER 199 Gun-shy
  231. GER 199 White Ribbon
  232. Girls in Uniform
  233. GER 199 The Blue Light
  234. GER 199 Rosenstrasse
  235. GER 199 Nowhere in Africa
  236. GER 199 Spring 2012 Germany, Pale Mother
  237. GER 199 The Practice of Love
  238. GER 199 The Virgin Machine